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清錢南園畫馬 軸
基本資訊
原始資料連結原始資料連結
資料來源機關國立故宮博物院
主題分類藝術與人文
建檔單位國立故宮博物院
作者
錢灃
色彩
水墨
裝裱形式
軸
數量
一軸
集叢號-類型
單件
典藏尺寸
本幅 / 66x33.6 / 全幅 / 236x53.9
質地
本幅 / 紙
題跋資料
作者款識 / 錢灃 / 本幅 / 灃 / 行書 / 題跋 / 鄭孝胥 / 邊幅 / 仁先侍御愛此馬。使孝胥題之。乙卯（西元一九一五年）八月五日。 / 行書 / 南園可敬尤可愛。獨喜畫馬窮殊態。一瘦至此有餘慨。尻肋崚嶒爾何憊。草枯林禿想長饑。原頭躑躅將安歸。他年駿骨干金日。莫遣人間伯樂知。仁先侍御愛此馬。使孝胥題之。乙卯（西元一九一五年）八月五日。 / 題跋 / 陳三立 / 邊幅 / 仁先侍御屬題。乙卯（西元一九一五年）九月三立。 / 行書 / 吾聞舉肥工相馬。豢養紛紛列仗下。亦有前逐八駿蹄。為人效死汗流赭。駑駘權奇浪等差。留博讀畫眩摹寫。南園老人變幹法。硉兀飢羸誰似者。世兒休指病乘黃。天私眞骨棄原野。尚誇地用淚如瀉。仁先侍御屬題。乙卯（西元一九一五年）九月三立。 / 題跋 / 李瑞清 / 下方 / 清道人 / 行書 / 南園先生以畫馬名。然余所見盖八九幀。極古致。然微嫌不脫宋人刻畫之習。此幅瘦馬圖。用筆蕭寒荒率。隨意點染。眞所謂士夫畫也。世之駑駘蒙錦韉珮玉勒者多矣。人間無伯樂餓死空山佳也。清道人。
印記資料
收傳印記 / 大風堂 / 收傳印記 / 簡學齋 / 收傳印記 / 萬卷樓
主題
主要主題 / 走獸 / 馬 / 次要主題 / 樹木 / 寒林．枯樹 / 枯樹
技法
寫意
參考資料
收藏著錄 / 大風堂遺贈名跡特展圖錄，頁60.92 / 內容簡介（中文） / 錢澧（西元一七四０－一七九五年），號南園，雲南昆明人。乾隆三十六年進士。歷官通正司副使，提督湖南學政。擅寫顏體書法，兼工畫馬。
一匹瘦馬，狀似羸弱不振，徘徊在枯樹之下。畫中大多以渴筆畫成，更增添了枯瘠的氣氛。蓋描寫駿馬未遇伯樂，英才落魄之情境。 / 內容簡介（中文） / 錢澧（一七四０－一七九五），字東注，號南園，雲南昆明人，乾隆三十六年進士。工書，宗柳公權。善畫馬。此幅畫荒郊水際，牧人騎馬。身後枯枝古木，滿紙蕭條，馬亦瘦瘠。 / 內容簡介（英文） / Ch’ien Feng, whose style name was Tung-chu and sobriquet Nan-yuan, was a native of K’un-ming, Yunnan. He received his chin-shih degree in 1771. He was good at calligraphy, and followed the style of T’ang master Liu Kung-ch’ uan. He excelled at painting horses.
A herdsman and his horse stand on a desolate shore. Behind rises a dry, withered old tree. The scene is deserted, the horse is emaciated.
/ 內容簡介（英文） / Ch’ien Feng, whose sobriquet was Nan-yuan, was a native of K’unming in Yunnan province. He received his chin-shih degree in 1771, during the reign of the emperor Ch’ien-lung. His government experience included service as vice commissioner of the Office of Transmission and as the Provincial Education Commissioner of Hunan Province. He was good at calligraphy and specialized in painting horses.
This painting depicts an emaciated horse which had not been discovered by Po-le (an expert in recognizing the quality of horses). Its talent was thus wasted and it was reduced to the circumstances seen here. The form of this horse is so weak as to seem hesitating and unable to be aroused. This painting is executed with a dry brush, which further contributes to the withered atmosphere.
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