跳到主要內容區塊
:::
明施餘澤拜石圖 軸
基本資訊
原始資料連結原始資料連結
資料來源機關國立故宮博物院
主題分類藝術與人文
建檔單位國立故宮博物院
作者
施餘澤
色彩
淺設色
裝裱形式
軸
數量
一軸
集叢號-類型
單件
典藏尺寸
本幅 / 54.4x46
質地
本幅 / 絹
題跋資料
作者款識 / 施餘澤 / 本幅 / 施餘澤寫。（在石上）。 / 楷書
印記資料
鑑藏寶璽 / 乾隆御覽之寶 / 鑑藏寶璽 / 乾隆鑑賞 / 鑑藏寶璽 / 石渠寶笈 / 鑑藏寶璽 / 三希堂精鑑璽 / 鑑藏寶璽 / 宜子孫 / 鑑藏寶璽 / 石渠定鑑 / 鑑藏寶璽 / 寶笈重編 / 鑑藏寶璽 / 寧壽宮續入石渠寶笈 / 鑑藏寶璽 / 樂壽堂鑑藏寶 / 鑑藏寶璽 / 嘉慶御覽之寶 / 鑑藏寶璽 / 宣統御覽之寶
主題
主要主題 / 經史‧故事 / 米芾拜石 / 主要主題 / 山水 / 奇石 / 主要主題 / 人物 / 高士（士人、隱士） / 米芾 / 次要主題 / 人物 / 侍從（侍女、童僕） / 童僕 / 其他主題 / 建築 / 庭院 / 其他主題 / 其他 / 扇、笏 / 其他主題 / 建築 / 欄杆 / 其他主題 / 花草
技法
工筆 / 寫意 / 皴法 / 人物衣紋描法(勻稱線條)
參考資料
收藏著錄 / 石渠寶笈續編（寧壽宮），第五冊，頁2852 / 收藏著錄 / 故宮書畫錄（卷八），第四冊，頁89 / 收藏著錄 / 故宮書畫圖錄，第九冊，頁243-244 / 內容簡介（中文） / 施餘澤，字溥霖，康熙間（一六六二－一七二二）順天（今北平）人。山水秀逸多致，兼善仕女。
本幅描繪米芾拜石的故事。米芾（一○五一－一一○七）為宋代名書法家，好石成癖，嘗得一奇石，因特別喜愛而穿戴官服執笏禮拜之。 / 內容簡介（中文） / 宋代書畫名家米芾（一０五二－一一０八）有收藏奇石的癖好。在安徽無為作官時，見一巨石，形狀奇醜，十分喜愛，說這個奇石值得我朝拜，於是穿上官服，持笏鞠躬敬拜。後世引為米芾顛狂率真的故事之一。
施餘澤（活動於十七世紀），順天（今北京）人，擅長畫山水、人物、仕女。此畫強調巨石奇特的造型，人物動作也很誇張，反映晚明以奇為古的風尚。
/ 內容簡介（英文） / Mi Fu (1052-1107), the famed Sung painter-calligrapher, was also a fanatic collector of unusual and exotically shaped rocks. In Anhwei, while inactive as an official, he saw a large, convoluted stone that he fell in love with, claiming it as worthy of him paying reverence to . He thereupon put on his official robes, took his official’s scepter, and bowed to the stone in respect. This is one story of Mi Fu’s reportedly naïve yet eccentric behavior.
Shih Yu-tse, a native of Hsun-t’ien (modern Peking), specialized in painting landscapes, figures, and ladies. This painting emphasizes the strange shape of the large stone, the actions of the figure also being quite exaggerated. It thus reflects the late Ming trend of using eccentricity for archaic effect.
/ 內容簡介（英文） / Shih Yu-tse, whose style name was P'u-lin, was from Peking. His landscapes were elegant and refined, and he also excelled at depicting beautiful women.
The subject of this painting concerns the story of Mi Fu paying homage to a rock. Mi Fu (1051-1107) was a famous calligrapher during the Sung dynasty. His passion to admire unusual rocks became his trait. He once acquired a rock which he appreciated so much that he put on his best official clothes and, carrying a tablet used by civil servants in audience with an emperor, paid homage to the stone. / 網頁展示說明 / 宋代書畫名家米芾（一０五二－一一０八）有收藏奇石的癖好。在安徽無為作官時，見一巨石，形狀奇醜，十分喜愛，說這個奇石值得我朝拜，於是穿上官服，持笏鞠躬敬拜。後世引為米芾顛狂率真的故事之一。
施餘澤（活動於十七世紀），順天（今北京）人，擅長畫山水、人物、仕女。此畫強調巨石奇特的造型，人物動作也很誇張，反映晚明以奇為古的風尚。
/ 網頁展示說明 / Mi Fu (1052-1107), the famous Sung painter-calligrapher, was also a fanatic collector of unusual and exotically shaped rocks. In Anhwei, while inactive as an official, he saw a large, convoluted stone that he fell in love with, claiming it as worthy of him paying reverence to. He thereupon put on his official robes, took his official's scepter, and bowed before the stone in respect. This is one story of Mi Fu's naïve yet eccentric behavior.
Shih Yu-tse, a native of Hsun-t'ien (modern Peking), specialized in painting landscapes, figures, and ladies. This painting emphasizes the strange shape of the large stone, the actions of the figure also being quite exaggerated, thus reflecting the late Ming dynasty trend of using eccentricity for an archaic effect.
0則留言
本網站使用Cookies收集資料用於量化統計與分析，以進行服務品質之改善。請點選"接受"，若未做任何選擇，或將本視窗關閉，本站預設選擇拒絕。進一步Cookies資料之處理，請參閱本站之隱私權宣告。