數量一冊:三十五開(本幅三十四開六十八幅;後副葉一開二幅)
典藏尺寸本幅 / 37.3x25.8 / 後副葉 / 37.3x25.8
題跋資料簽 / 袁勵準 / 封面 / 袁勵準署籤 / 楷書 / 陳奕禧書醉翁亭記。袁勵準署籤。 / 題跋 / 馬佳昇寅 / 後副葉 / 道光癸巳春三月左都御史長白昇寅書 / 行書 / 余齠年並未學書。弱冠後猥膺選拔。忝列前茅。始勉力塗鴉。無如天資駑鈍。摹顏倣趙。不啻東施效顰。五旬後官瀋陽少宗伯時。偶於碎帖中得海寧陳香泉石刻數冊。愛其鍾王顏米無家不備。朝夕把玩。因悟書法之妙在神似不在形似也。嗣於重陽日有族弟瑪呢者贈余菊花數盆。香泉手書醉翁亭記一冊。筆墨烜赫。如親見先生臨池之狀。先生於甲申歲重陽日書此。余於戊寅歲重陽日得此寶物。顯晦殆有數焉。並作七古一篇以誌之。道光癸巳春三月左都御史長白昇寅書。
印記資料作者印記 / 陳奕禧印 / 作者印記 / 六兼 / 作者印記 / 御賜日巗 / 鑑藏寶璽 / 宣統御覽之寶 / 收傳印記 / 春暉曾觀 / 收傳印記 / 賓旭珍藏 / 收傳印記 / 東閭珍藏
參考資料收藏著錄 / 故宮書畫錄(卷八),第四冊,頁19 / 內容簡介(中文) / 陳奕禧(西元一六四八-一七○九年),字六謙,又字子文、文一,號香泉,晚號葑叟,海寧鹽官人。其詩得王士禎讚賞,書法深受康熙皇帝重視,故以貢生破格入直南書房。書法由董其昌入手,復參米芾,著意變化,圓潤秀美,有「翰墨妙當代,海內翕然」之稱,號「香泉體」。所書〈夢墨樓法帖〉曾於雍正年間(一七二三-一七三五)勒石,貯於內府。此作大字用筆沉著渾融,結體有欹側跌宕之妙。(20120104) / 內容簡介(英文) / Chen Yixi (style name Liuqian, sobriquet Xiangquan), native to Yanguan in Haining, was praised in poetry by Wang Shizhen. His calligraphy was also deeply admired by the Kangxi Emperor, so an exception was made for him as a Tribute Student to enter the emperor’s Southern Studio. Chen started his study of calligraphy with Dong Qichang’s style, to which he added Mi Fu’s for variation. His round, smooth elegant style known as “marvelous in calligraphy now throughout the country” formed his “Xiangquan Style.” His “Calligraphy of Mengmo Tower” engraved in stone during the Yongzheng era (1723-1735) was stored at the court. The brushwork in large characters here is rich yet sedate, the characters slanted in a marvelously free and easy way.(20120104)